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The Chorus

The chorus of the Deutsche Oper Berlin ...

The opera chorus of the years 2008, 2009 and 2010 ...

The award winner of the European Chorus Prize by the Pro Europa Foundation

  • About our Chorus

    Der Chor der Deutschen Oper Berlin mit Jeremy Bines
    Foto: Bettina Stöß
     

     

    “Often they garner a bare nod en passant despite being difficult to miss onstage. And hardly anyone in the stalls has the first idea what their names are - not that it would ever occur to anyone to question their importance for the production. The critics, too, rarely devote more than a couple of sentences to them, even though opera would be a shadow of itself without them. LOHENGRIN, AIDA or TURANDOT without chorus singers? Impossible,” wrote Albrecht Thiemann, editor of “Opernwelt”. “What would we care about Tannhäuser’s plight at Wartburg Castle if the Thuringian Landgrave’s assembled courtiers didn’t vent their anger in mighty unison at the man who had emerged from the depths of the Venusberg? And how would we shudder at the raging jealousy of Verdi’s Othello if it weren’t reflected as tragic madness in the noisy bubblings of perturbation amongst his people? Without a powerful chorus the great engine of sentiment would not amount to much.”

     

    The chorus is indeed instrumental in the success of an opera performance. Its members are possessed of a high degree of artistry and professionalism. Evening after evening they demonstrate their command of the styles, genres and languages of opera. This breadth of proficiency has been on proud display in recent years as the chorus of the Deutsche Oper Berlin has gone from strength to strength. Building on its international reputation as one of the supreme interpreters of the operas of Wagner and Verdi, the chorus of the Deutsche Oper Berlin has reaffirmed its ability to excel in the musical theatre of the 20th and 21st centuries with its productions of Britten’s PETER GRIMES and BILLY BUDD, Shostakovich’s LADY MACBETH OF THE MTSENSK DISTRICT and Helmut Lachenmann’s THE LITTLE MATCH GIRL.

     

    Opera Chorus of the Year 2008, 2009 and 2010 and recipient of European Chorus Award presented by Pro Europa Foundation.

     

    Years of intensive rehearsals in the works of the repertoire are required before a new member of the ensemble can be said to have acquired a level of mastery. Singers are gauged not only by the quality of their voice but also by their acting skill and ability to work as part of group. Chorus members also have to be receptive to new ideas and techniques proposed by the director or conductor. Preparatory work in the chorus hall, which is where new parts are studied and developed, also requires great attentiveness on the part of chorus members. The aim is to give the chorus its own, unmistakeable sound while incorporating it seamlessly into the work as a whole. No easy task when one considers that an opera chorus, like an orchestra, comprises a panoply of artistic individuals, whose full effect is only realised as a single corpus onstage.

     

    A number of renowned chorus masters and conductors have left a lasting imprint on the Deutsche Oper Berlin Chorus, one of the world’s great companies in the field of musical theatre. Prominent alongside Walter Hagen-Groll, who built and fashioned the chorus over a period of almost 50 years, are the names of Marcus Creed and Karl Kamper. From 2007 to 2016 William Spaulding, as Principal Chorus Master, imbued the chorus with its own distinctive sound, resulting in no less than three “Opera Chorus of the Year” awards and a runaway popular and critical triumph with a guest performance of TANNHÄUSER at the London Proms. There followed an interim period with Raymond Hughes at the helm. Since the start of the 2017/18 season the position of Chorus Master has been held by Jeremy Bines, former head of the Glyndebourne Festival Chorus.

     

    As an adjunct to the work of the chorus live onstage the Deutsche Oper Berlin also produces CDs and DVDs of its performances. Christian Thielemann’s production of CARMINA BURANA by Carl Orff – to cite but one example – was released by Deutsche Grammophon.

     

    The concert association of the chorus of the Deutsche Oper Berlin, founded in 2013 and composed of members of the chorus, does sterling work as a cultural ambassador for Berlin. One of its first high-level assignments came on 4th August with an appearance at the legendary BBC Proms at the Royal Albert Hall in London. Click here for the website of the Konzertvereinigung des Chores der Deutschen Oper Berlin e. V.

  • The Chorus in performances

    Nabucco © Bernd Uhlig

     

    After LA RONDINE togehter with Rolando Villazón © privat

     

    Oresteia © Bernd Uhlig

     

    Tannhäuser und der Sängerkrieg auf Wartburg © Matthias Horn
     
    Rienzi, der letzte der Tribunen © Bettina Stöß
     
    Peter Grimes © Marcus Lieberenz

     

    Otello © Barbara Aumüller
     
    Nabucco © Bernd Uhlig
     
    La Gioconda © Bettina Stöß

     

    Jenufa © Monika Rittershaus
     
    Macbeth © Bettina Stöß
     
    Eine Inszenierung von Christian Spuck
    Fausts Verdammnis © Bettina Stöß
     
    Rienzi, der letzte der Tribunen © Bettina Stöß
     
    Rigoletto © Bettina Stöß
     
    Eugen Onegin © Bettina Stöß
     
    Lohengrin © Marcus Lieberenz
     
    Die Liebe zu den drei Orangen © Barbara Aumüller
     
    Parsifal © Matthias Baus
     
  • Chorus Soloists

     

    Ehrenmitglied des Chores

    Dr. Richard von Weizsäcker

     

    Chordirektion

    Erster Chordirektor Jeremy Bines
    Stellvertretender Chordirektor Thomas Richter
    Chor-Repetitor Jamison Livsey
    Leiterin des Chorbüros Stefanie Kötter
    Chor-Inspizientin Martina Metzler

     

    Chorvorstand

    Obmann Ralph Eschrig
    Zweite Obfrau Isolde Claasen

     

     Sopran

    1. Sopran   2. Sopran
    Tanja Ammon / Rosemarie Arzt / Sibylle Benner / Sonja Bisgiel / Natalie Buck / Sin Ae Choi / Kristina Clemenz / Carolina Dawabe Valle / Irene Maas / Saskia MeuselSeong-Hee Park / So Young Park   Kimiko Adachi / Constance Gärtner / Brigitte Höcht / Imke Hout / Barbara Kindermann / Angelika Nolte / Antje Obenaus / Andrea Schwarzbach / Ines Schweizer

     

    Alt

    1. Alt   2. Alt
    Birgit Bauer / Jiwon Choi / Nicole Drees / Mirjam Groth / Kristina Häger / Heidrun Häßner / Mahtab Keshavarz / Cordula Messer / Elke Redmann / Maja Siebenschuh / Veronika Verebély   Senta Aue / Brigitte Bergmann / Isolde Claassen / Inga Maleike / Lorena Medina / Martina Metzler / Marie Pierre Zanon

     

    Tenor

    1. Tenor   2. Tenor
    Lucian Chioreanu / Ralph Eschrig / Ulrich George / Ludmil Georgiev / Rolf Heinrich / Jwa-Kyum Kim / Sungjin Kown / Seung Yeop Lee / Hyun Chul Rim / Michael Schöne / Aram Youn   Haico Apel / Daniel Badura / Winfried Fußy / Ho Sung Kang / Robert Klöpper / Jan Müller / Robert Neumann / Olli Rantaseppä / Frank Wentzel

     

    Bass

    1. Bass   2. Bass
    Murat Acikada / Heiner Boßmeyer / Kwang-Seok Cho / Mike Fischer / Alexander Hoffmann / Slavtscho Kurschumov / Tadeusz Milewski / Hong-Kyun Oh / Piotr Wawrowski   Holger Gerberding / Peter Hjuler / Imma Nagne Jun / Marek Picz / Tomasz Rakocz / Rüdiger Scheibl / Björn StruckFrank Sufalko / René Tischlinger

     

    VdO, Ortsverbandsvorstand

    Vereinigung deutscher Opernchöre und Bühnentänzer e.V.

    Vorsitzender Björn Struck
    Stellvertreter Saskia KlumppSenta Aue

     

    Kinderchor

    Leiter Christian Lindhorst

  • Chorus Master

    At the start of the 2017/2018 season the Briton Jeremy Bines, currently Chorus Master at Glyndebourne Festival Opera, takes over in the same capacity at the Deutsche Oper Berlin. Bines has been at the helm of the acclaimed Glyndebourne Chorus since 2009. In the words of one of many plaudits (The Telegraph, 29th July 2015): “The chorus is the soul of everything that Glyndebourne is and stands for: every year, one can only marvel at the fresh beauty of the sound it produces as well as its resourceful and imaginative acting… Glyndebourne’s chorus is special”. For this year’s festival he has been preparing the choruses for THE MASTERSINGERS OF NUREMBERG, THE BARBER OF SEVILLE, THE CUNNING LITTLE VIXEN, THE MARRIAGE OF FIGARO and BEATRICE ET BENEDICT. From 2006 to 2007 Jeremy Bines was co-répétiteur at the Royal Danish Opera in Copenhagen before being appointed its chorus master. He is multilingual and can conduct rehearsals in five languages. We are delighted that Jeremy Bines has agreed to join the staff of the Deutsche Oper Berlin.

  • Sponsorship for children’s and youth chorus

    With approximately 150 singers, the Children’s and Youth Chorus of the Deutsche Oper Berlin forms a well-integrated part of the opera house ensemble. Children and teenagers receive solid musical and vocal training in choral groups, working alongside youngsters of the same age. The aim is for them to appear onstage alongside opera professionals and show what they are capable of in concert performances. In the 2018/19 season the children’s chorus will once again feature in a raft of productions including WOZZECK, TOSCA, THE NUTCRACKER, THE CUNNING LITTLE VIXEN, CARMEN, BORIS GODUNOV, PARSIFAL and OTELLO.

     

    Working with the younger generation

     

    Aside from the opera performances at the Deutsche Oper Berlin, all the choral groups also appear at other venues in Berlin and further afield. Our youngest budding singers in the Mini Chorus focus for example on rehearsing carols in the run-up to Christmas. The Children’s Chorus, the Concert Chorus, the Voice-Changers (our company of young male singers) and the Youth Chorus cover a repertoire stretching from the Renaissance to contemporary music. In July 2018 the Concert Chorus will travel to Tshwane, South Africa, for the World Choir Games.

     

    A special concert is scheduled for 26th March 2019. This season the Children’s Chorus celebrates its tenth anniversary and the Youth Chorus its fifth! We’ll be making a noise to mark the occasion.

     

    Further information is available on the web pages of the Friends of the Children’s and Youth Chorus of the Deutsche Oper Berlin: www.dobolino.de

     

    Head of Children’s Chorus: Christian Lindhorst
    Head of Voice-Changers: Rosemarie Arzt
    Vocal development: Tanja Ammon, Rosemarie Arzt, Natali Buck, Kristina Häger, Ines Schweizer-Perk, Olga Vilenskaia and Christian Lindhorst
    Child care: Burkkart Liewehr, Tanja Wagner

     

    The Children’s and Youth Chorus of the Deutsche Oper Berlin is sponsored by Berliner Volksbank and Dobolino e.V.